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Cover image for Power and identity in the creative writing classroom : the authority project
Title:
Power and identity in the creative writing classroom : the authority project
Series:
New writing viewpoints ; 1
Publication Information:
Clevedon, UK : Multilingual Matters Limited, 2005
Physical Description:
xvi, 222 p. ; 21 cm.
ISBN:
9781853598470
Added Author:

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Library
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Call Number
Material Type
Item Category 1
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30000010203105 PE1404 P68 2005 Open Access Book Book
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Summary

Summary

Power and Identity In the Creative Writing Classroom remaps theories and practices for teaching creative writing at university and college level. This collection critiques well-established approaches for teaching creative writing in all genres and builds a comprehensive and adaptable pedagogy based on issues of authority, power, and identity. A long-needed reflection, this book shapes creative writing pedagogy for the 21st century.


Author Notes

Anna Leahy is Associate Professor of English, Associate Director of the MFA in Creative Writing, and Director of Undergraduate Research and Creative Activity at Chapman University, USA. She has published widely on creative writing pedagogy, as well as creative non-fiction and poetry. She is the editor of TAB: The Journal of Poetry & Poetics.


Table of Contents

ForewordAnna Leahy
1 Personal Therapeutic Writing vs. Literary WritingNancy Kuhl
2 Who Cares--and How: The Value and Cost of NurturingAnna Leahy
3 Inspiration, Creativity, and Crisis: The Romantic Myth of the Writer Meets the Contemporary ClassroomBrent Royster
4 Reinventing Writing Classrooms: The Combination of Creating and ComposingEvie Yoder Miller
5 The Double Bind and Stumbling Blocks: A Case Study as an Argument for Authority-Conscious PedagogyCarl Vandermeulen
6 Teaching and Evaluation: Why Bother?Mary Cantrell
7 Who's the Teacher?: From Student to MentorAudrey Petty
8 The Pregnant Muse: Assumptions, Authority, and AccessibilityRachel Hall
9 Dismantling Authority: Teaching What We Do Not KnowKatharine Haake
10 Contracts, Radical Revision, Portfolios, and the Risks of WritingWendy Bishop
11 An 'A' for Effort: How Grading Policies Shape CoursesSuzanne Greenberg
12 Gender and Authorship: How Assumptions Shape Perceptions and PedagogiesSusan Hubbard
13 Writing the Community: Service Learning in Creative WritingArgie Manolis
14 Where Do You Want Me To Sit?: Defining Authority through MetaphorCathy Day
15 Duck, Duck, Turkey: Using Encouragement To Structure Workshop AssignmentsMary Swander
16 How To Avoid Workshop Dilemmas: The Use of Myth to Teach Writerly ConceptsAmy Sage Webb
17 Writing in the Shadows: Topics, Models, and Audiences that Focus on LanguageSandy Feinstein
The Reason It Is: the Rhyme It Isn'tGraeme Harper; Stephanie Vanderslice
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