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Cover image for A theory of relativity
Title:
A theory of relativity
Personal Author:
Publication Information:
New York, NY. : Harper Collins Publishers, 2001.
Physical Description:
351 p. ; 25 cm.
ISBN:
9780066210230

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Item Category 1
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PRZS3000000248 PS3563.I7358 T47 2001 Open Access Book Creative Book
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Summary

Summary

"[An] astonishing pleasure."

--Seattle Times

"A graceful, moving, and compelling novel. Jacquelyn Mitchard at her finest."

--Scott Turow, author of Innocent

A poignant and unforgettable novel from Jacquelyn Mitchard, author of the monumental New York Times bestsellers The Deep End of the Ocean and The Most Wanted, A Theory of Relativity is a powerful tale that explores the emotional dynamics and dramas of two families fighting for custody of a young child . The very first author selected by the Oprah Book Club, Mitchard is a matchless, wise, and warm chronicler of families and their human foibles--and A Theory of Relativity is contemporary women's fiction at its best, a must-read for fans of Sue Miller, Jane Hamilton, and Elizabeth Berg.


Author Notes

Jacquelyn Mitchard was born in Chicago, Illinois on December 10, 1957. She studied creative writing at the University of Illinois at Urbana-Champaign. In 1976, she became a journalist and eventually achieved the position as lifestyle columnist for the Milwaukee Journal Sentinel newspaper. Her weekly column, The Rest of Us: Dispatches from the Mother Ship, appeared in 125 newspapers nationwide until she retired it in 2007.

She is the author of children's, young adult, and adult books. Her first novel, The Deep End of the Ocean, was the first selection for Oprah's Book Club and was named by USA Today as one of the ten most influential books of the past 25 years. It was also adapted into a movie starring Michelle Pfeiffer. Her other adult novels include The Breakdown Lane; Twelve Times Blessed; Christmas, Present; A Theory of Relativity; The Most Wanted; Cage of Stars; and Still Summer. Her children's books include Starring Prima!: The Mouse of the Ballet Jolie; Rosalie, My Rosalie: The Tale of a Duckling; and Ready, Set , School! Her young adult books include Now You See Her; All We Know of Heaven; and The Midnight Twins series.

(Bowker Author Biography)


Reviews 3

Publisher's Weekly Review

Gordon McKenna is a handsome 24-year-old science teacher who thought life was as tough as it could get when his only sister, Georgia, was diagnosed with cancer. Then she and her husband die in a car crash, leaving behind their one-year-old daughter, Keefer. Gordon willingly gives up his self-involved bachelor life and adopts his beloved niece. Georgia's in-laws, however, have different wishes for their granddaughter. Well heeled, conservative and wealthy, they believe their born-again Christian niece and her husband should get custody of the child. Their challenge to Gordon's custody lies in the fact that both he and Georgia were adopted children, with "only" love, not blood, connecting Gordon and Keefer. Thus begins the custody battle which makes up the bulk of this book. Mitchard is known for her bestseller, The Deep End of the Ocean (Oprah's very first book pick, back in Sept. '96), as well as for her nationally syndicated newspaper column about family life. As a widowed mother of five adopted children who was once part of a custody suit, Mitchard is an expert on how even the most loving and functional households can be thrown into turmoil and chaos without warning. She writes with grace and authority, and Juliette Parker's gentle and even reading of the text gives a slightly upbeat feel to this suspenseful and emotional tale that challenges the legal definition of "family." Simultaneous release with HarperCollins hardcover (Forecasts, Apr. 23). (June) (c) Copyright PWxyz, LLC. All rights reserved


Booklist Review

As a Wisconsin-based, nationally syndicated newspaper columnist, Mitchard covers family life. As a best-selling novelist (her first book, The Deep End of the Ocean, 1996, hit the Oprah jackpot), she writes with insight and suspense about the trials and tribulations that strike even the most smoothly functioning and loving households. Mitchard's third novel begins with two deaths, a tragedy the sheriff of Tall Trees, Wisconsin, decides to share first with Gordon McKenna, a sexy, easygoing 24-year-old science teacher and brother of one of the deceased, the young and lovely Georgia O'Keeffe McKenna Nye. She and her husband, Ray, have died in a somewhat suspicious car accident, leaving behind Keefer, their one-year-old daughter. Gordon and Georgia were exceptionally close, and he had already put his once carefree, casually promiscuous life on hold to help look after Keefer while Georgia confronted breast cancer. Gordon and his parents assume they'll be the child's guardians; Ray's parents and extended family assume otherwise. And so, before anyone can even begin to mourn, a convoluted and highly emotional custody battle ensues. It never occurs to the McKennas that the fact that Georgia and Gordon were adopted from different birth parents could play a role in the nasty proceedings, but they are forced to challenge a grievously unfair law that distinguishes between "blood" and adopted relatives, and Gordon also has to prove that a single, almost offensively good-looking babe-magnet can make a good father. Mitchard, herself the mother of adopted children who was drawn into an unexpected custody battle, brings literary finesse, wisdom, and deep emotion to this believable and remarkably involving tale of anguished people trying to do the right thing. Donna Seaman


Library Journal Review

Mitchard, whose debut novel, The Deep End of the Ocean, was Oprah's first book club selection, offers another slam dunk here. The book opens with a jolt "They died instantly" then focuses on the love for a child and just what makes a family. When cancer-ridden, 26-year-old Georgia McKenna Nye and her husband Ray die in a car crash, the question of who will raise their one-year-old daughter, Keefer, rends two families, who file opposing claims, and brings national media attention to the issue of adoptees' rights. State law gives first consideration for custody to blood relatives, and Georgia's younger brother Gordon, to many the most logical adoptive parent, was himself adopted, as was Georgia. Even an expeditious legislative victory to close the loophole fails to bring closure, as the parties wrangle amid their grief. If it's all wrapped up a little too quickly and neatly, no matter, since these characters are so wonderfully human and their wrenching situation is so skillfully unfurled. Essential for popular fiction collections. [Previewed in Prepub Alert, LJ 3/15/00.] Michele Leber, Fairfax Cty. P.L., (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

A Theory of Relativity Chapter One They died instantly. Or close enough. Gordon, of course, knew that "instantly," in this context, didn't mean what it seemed to suggest: Several minutes would have passed inside the car after the impact, while the final tick and swoosh of Ray's and Georgia's heart-sent blood swept a pointless circuit, while muscles contracted loyally at the behest of a last volley of neurological commands. But there would have been no awareness, or only a few twilight seconds--and no memory. Most of the others in Tall Trees, the McKenna family and their friends, didn't know as much about the biology involved or care to. Small town people, they were accustomed to having something to be grateful for, even death no more physically complex than a power failure. It seemed to many a source of comfort. And as the months unfurled, comfort of any sort was in short supply. Even Gordon had to admit he was relieved. Couldn't it have been worse, much, much worse? It could have been. This, Gordon decided, in those few breathless, shocky moments as he prepared to leave his school classroom and drive to the scene of the accident at Lost Tribe Creek, would be his mantra. He would not yowl and quake at this abrupt conclusion to the year of living catastrophically. He would not let himself come unglued. Dread tapped at his gut, like an unwelcome salesman tapping insistently at the window-- Your sister is dead; your sister really is dead! But Gordon breathed in and out, spoke to himself of focus. He would be the one who remained analytical. Looking at the facts straight on was both his nature and his calling. He could do that best of anyone in his family. It would be the way he would protect himself and his parents. He was, of course, frightened. All the signs. The trembling legs. The fluttering pulse. It had begun the moment he heard Sheriff Larsen's voice. "Gordon," said the sheriff, "what are you doing, son?" What was he doing? An old friend of his father's calling him in the middle of a weekday, at school, though by rights he should not even have been there, the term having ended for summer break two weeks earlier, asking him what he was doing? Something was up, something bad; he could not imagine what; everything bad had already happened. Gordon felt a burning the size of a pinprick deep in his abdomen. "I'm cleaning, um, my classroom," he'd answered finally, uneasily. "Throwing out the moldy agar dishes. Reading all the love letters the kids left in the lab trays. Science teacher fun." "Good," Sheriff Larsen said. "Good." His voice had always reminded Gordon of Ronald Reagan's. "So...so, you alone there?" Gordon had been alone and relishing the solitude. The days when Georgia went to the University of Minnesota for her chemotherapy were the only times the McKennas felt they had permission to do ordinary tasks--get haircuts, return library books--things that felt shameful and selfish when Georgia was home and miserable. He had almost not answered the phone. For it would surely have been his mother with another bulletin about the afternoon's accomplishments of his year-old niece, Keefer:--She'd held her own spoon! She'd said "Moo!" Gordon loved Keefer and thought her exceedingly bright, but this was becoming like CNN Headline News. "What's up?" he'd asked Dale Larsen. And as the older man spoke--an accident, a very bad accident, no survivors, should he cruise by there and pick Gordon up--the level of shock built until Gordon's chest seemed to have room to contain his heart or his lungs, but not both. This was normal, was probably a kind of hypotensive shock. Fear, he reminded himself, was, like anything else, only a thought. Hadn't he mastered that a year ago, when they'd learned that Georgia, Gordon's only sister, just twenty-six years old, a triumphant wife and exultant new mother, had cancer, stage four, Do-Not-Pass-Go cancer? Hadn't he watched her suffer an endless year of days, mourned and mopped and propped and wished for her release and flogged himself for the wishing? It was over. She had been released. And Ray, Georgia's husband, Gordon's longtime friend, his sweet-souled frat buddy from Jupiter, Florida , a lumbering athlete with a physicist's brain and the heart of a child.... Ray was dead, too. Gordon had to recalibrate. Ray had told Gordon more than once during the illness, Bo, I can't live without her. Gordon had sensed it had been more than just a manner of speaking. So perhaps Ray had felt gratitude, too, in the last conscious instant of his life. The mind was capable of firing off dozens of impressions in fractions of seconds. And so it had proved with his own mind. Gordon decided he would not call his mother. He would give her these few last moments of innocent play with Keefer. Nor would he call his Aunt Nora. She was as brave as a bear, but for all her homespun daffiness Gordon could never quite believe that the same twentieth century that had produced his own parents had also produced Aunt Nora. Nora had told Gordon not long ago she didn't need to know all the whys and wherefores, that she would ask Georgia about it someday, in heaven. But heaven, Gordon thought, as he carefully parked his car a prudent distance up on the dry shoulder of the road, had been only a concept when Nora made that statement. Now, that kingdom had come. Nora would be shattered. It would be he, he realized, at twenty-four the youngest but one of his cousins, who would have to provide the strong shoulder, the steadying hand. But everything he saw looked odd, looked unsettling. For everything looked like any other day... A Theory of Relativity . Copyright © by Jacquelyn Mitchard. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from A Theory of Relativity by Jacquelyn Mitchard All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
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