Cover image for Dimensional color
Title:
Dimensional color
Personal Author:
Edition:
2nd ed.
Publication Information:
New York : W.W. Norton, 2003
ISBN:
9780393731026

Available:*

Library
Item Barcode
Call Number
Material Type
Item Category 1
Status
Searching...
30000010046635 BF789.C7 S94 2003 Open Access Book Book
Searching...
Searching...
30000010049521 BF789.C7 S94 2003 Open Access Book Book
Searching...

On Order

Summary

Summary

To the basic grammar of color and form presented in the first edition of Dimensional Color , Lois Swirnoff adds a chapter on color structure and expands one on color and light.

Exploring the interaction between light, color, and surfaces, the book provides an invaluable tool for the teaching and practice of color in architecture and design.


Author Notes

Lois Swirnoff is Feltman Chair at the Cooper Union for the Advancement of Science & Art in New York.


Table of Contents

Preface to the Second Editionp. ix
Forewordp. x
Preface to the First Editionp. xiii
Introductionp. 1
Chapter 1 Architecture and the Significance of the Surfacep. 5
The Work of Sussman/Prejza & Companyp. 15
Chapter 2 Dimensional Color: Theoretical Backgroundp. 17
A Theory of Formp. 17
The Paradox of Colorp. 22
Color Constancyp. 23
Physiological Opticsp. 25
Color Systemsp. 27
Dimensional Colorp. 29
Chapter 3 Color-Space and Timep. 35
The Experiments: The Window Problemp. 36
Single Colorsp. 37
Two Colorsp. 39
Sequences of Perceptual Mixturesp. 41
Color Stereopsis: A Spatial Interactionp. 46
Complementary Hues and the Visual Deletion of Boundariesp. 49
Space-Frame Experimentsp. 50
Experiment 1 Red/Bluep. 50
Experiment 2 Figure/Groundp. 51
Experiment 3 Size and Placementp. 52
Experiment 4 Size/Colorp. 53
Experiment 5 Volume/Voidp. 53
Aspen: A Large-Scale Illusionp. 54
Chapter 4 The Geometry of Brightness and the Perception of Formp. 59
Constellation of Cubes: 90 Degree Angles Repeatedp. 64
The Relativity of Form to Colorp. 66
Free Study in Form and Colorp. 67
Interior Dimensions Perceivedp. 68
Chapter 5 Configuration, Pattern, and Dimensionp. 69
Chapter 6 Chiaro e Scuro Invertedp. 79
The Pyramid Problem: A Visual Ratiop. 81
Chapter 7 Color and Visual Organizationp. 87
Gestalt Principles of Form Affected by Colorp. 87
The Multiple: A Creative Gamep. 91
The Multiple: Devising a Systemp. 94
The Multiple as Module: Toward the Design of Buildings' Surfacesp. 95
Modular Patterns: Wallsp. 97
Modular Pattern as Repeatp. 98
The Module as Unit in Film Animationp. 99
Pattern-Making: From Sequence to Consequencep. 100
Unit to Module to Fieldp. 101
Patterns as Projections in Spacep. 104
Color and Symmetry, with A.L. Loebp. 108
Fourfold Symmetry Adaptedp. 109
Three-Dimensional Symmetryp. 110
Pattern and Additive Mixturep. 112
Chapter 8 Color and Lightp. 115
Modules for Reflected Colorp. 119
A Scale of Shadowsp. 120
One, Two, and Manyp. 121
Color by Reflection: Projected Lightp. 122
Additive Color as Virtual Lightp. 124
Richard Anuszkiewicz/Paintingsp. 124
Julian Stanczak/Paintingsp. 126
Chapter 9 Color Structurep. 129
The Work of Robert Slutzkyp. 129
To Infinity: Lois Swirnoffp. 130
Facture: Fiber Structurep. 132
Modular Assemblagep. 132
Chapter 10 Color and Form: Conform or Transform?p. 135
Chapter 11 Visual Educationp. 145
Conclusionp. 149
Notesp. 151
Bibliographyp. 153
Creditsp. 155
Indexp. 157