Skip to:Content
|
Bottom
Cover image for Pride and prejudice
Title:
Pride and prejudice
Personal Author:
Series:
The Cambridge edition of the works of Jane Austen

Works 2005
Publication Information:
Cambridge, UK ; New York : Cambridge University Press, 2006
Physical Description:
lxxx, 540 p. : ill. ; 23 cm.
ISBN:
9780521825146
Added Author:

Available:*

Library
Item Barcode
Call Number
Material Type
Item Category 1
Status
Searching...
30000010324120 PR4034 P7 2006 Open Access Book 1:CREATIVE_G
Searching...

On Order

Summary

Summary

'It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.' With this famous declaration Jane Austen launches into the story of the five Bennet sisters. It is a story that on first reading is full of suspense, surprise and, ultimately, satisfaction, and which on re-reading commands, in addition, admiration for the author's supreme skill in managing a deceptively complex plot to its triumphant conclusion. First published in 1813, and Austen's most popular novel in her own lifetime, Pride and Prejudice has since been widely recognised as one of the finest novels in the English language. This volume, first published in 2006, provides comprehensive explanatory notes, an extensive critical introduction covering the context and publication history of the work, a chronology of Austen's life and an authoritative textual apparatus. This edition is an indispensable resource for all scholars and readers of Austen.


Author Notes

Jane Austen's life is striking for the contrast between the great works she wrote in secret and the outward appearance of being quite dull and ordinary. Austen was born in the small English town of Steventon in Hampshire, and educated at home by her clergyman father. She was deeply devoted to her family. For a short time, the Austens lived in the resort city of Bath, but when her father died, they returned to Steventon, where Austen lived until her death at the age of 41.

Austen was drawn to literature early, she began writing novels that satirized both the writers and the manners of the 1790's. Her sharp sense of humor and keen eye for the ridiculous in human behavior gave her works lasting appeal. She is at her best in such books as Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1816), in which she examines and often ridicules the behavior of small groups of middle-class characters. Austen relies heavily on conversations among her characters to reveal their personalities, and at times her novels read almost like plays. Several of them have, in fact, been made into films. She is considered to be one of the most beloved British authors.

(Bowker Author Biography)


Reviews 3

School Library Journal Review

Gr 8 Up- Les Miserables relates the tales of those who suffer the injustices and moral qualms of life. The manga primarily focuses on the love and struggles of Jean Valjean, Fantine, Cosette, and Marius, before and during the Paris Uprising. While some attractive art nicely expresses their plights and eventual ascent, certain design choices gives the atmosphere too pleasant a feel. A similarly upbeat style works much better for Pride and Prejudice, which takes full advantage of manga's characteristics. The flowery decorations, screentones, chibi form create a fun and charming tone for this love story and work of social commentary. When Elizabeth encounters Mr. Darcy, they hardly get along, yet slowly their original perceptions change. Sadly, much of their witty dialogue is condensed because of the limited space. King successfully refines these hefty texts down to their core elements. Although both have specific problems regarding characterization, the emotions remain true. Between a quick pace and the use of common English, these adaptations are a much easier format for the reluctant reader, and teens, to enjoy. A few minor issues hardly mar what are faithful translations of the originals, making both of these titles worthy of their esteemed names.- Rachel Forbes, Oakville Public Library, Ontario, Canada (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Booklist Review

Edginton, previous adapter of several classics into graphic form (The Picture of Dorian Gray, 2009), teams up with illustrator Deas to undertake the much-loved (and oft-adapted) Pride and Prejudice. Austenites will find an overall carefully simplified version of the novel that retains much of the original text and might even entertain a little suspense if they allow the able adapters to guide the show. Perfect for class or book-group discussion, this adaptation is full of well-chosen scenes and authentic dialogue, which will helpfully solidify characters for readers: the squawking Mrs. Bennet; the pompous clergyman Mr. Collins; the alternately confounding and dashing Mr. Darcy; and, of course, Lizzy herself. Newcomers to the story will find a pleasing and accessible entry to the novel and perhaps will be inspired to pick up the original. Deas' illustrations are clean and spare, and though his characters are only nominally expressive, that makes key players easily recognizable and their occasionally drastic changes in mood all the more apparent. Deas' nearly photographic backgrounds lend the Regency era a modern, high-definition feel.--Bostrom, Annie Copyright 2010 Booklist


Library Journal Review

It's true, Jane Austen's classic Pride and Prejudice not only keeps hearts racing with narratives of marital exploits but also hooks new audiences with the burning desire to read a story with both art and text. Edginton (Scarlet Traces; Leviathan) and Deas (Troy Trailblazer; Macbeth) stay true to the novel's early 19th-century roots visually and slip in and out of the characters' thoughts, feelings, and words, telling a tale of a wealthy gentleman and a couple who are desperately trying to marry off their five daughters. The unique palette of romantic down-to-earth depictions of women in gauzy outer dresses and men adopting trousers and overcoats sets the stage within the quaint English settings of architectural estates and rural landscapes, sending our imaginations back in time. Verdict If you have never read a book by Austen (Emma) and are curious what all the hoopla is about, this may be a good introduction to her work. Or if you just want to see how courtship becomes the dramatic microcosm for various relationships in this quick page-turner, you won't be disappointed either.-Lori Salmon, New York P.L. © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

'I might, perhaps, wish to be informed why, with so little endeavour at civility, I am thus rejected. But it is of small importance.' 'I might as well inquire,' replied she, 'why with so evident a design of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character?' Excerpted from Pride and Prejudice by Jane Austen All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Table of Contents

General Editor's prefacep. ix
Acknowledgementsp. xiii
Chronologyp. xv
Introductionp. xxii
Note on the textp. lxxix
Pride and Prejudicep. 1
Corrections and emendations to 1813 textp. 432
Appendix 1 Phomas Egerton and the publication historyp. 437
Appendix 2 Legal and military backgroundp. 441
Appendix 3 Pemberley and its modelsp. 452
Appendix 4 Note on the second and third editions of Pride and Prejudicep. 456
Abbreviationsp. 459
Explanatory notesp. 461
Go to:Top of Page