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Cover image for The exile
Title:
The exile
Personal Author:
Publication Information:
London : Time Warner Books, 2004
ISBN:
9780751525304

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30000010108069 PS3556.O398 E94 2004 Open Access Book Creative Book
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30000010108070 PS3556.O398 E94 2004 Open Access Book Creative Book
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Summary

Summary

Raymond Thorne is wanted for murder - in Mexico, in Chicago and, most of all, in Los Angeles. He's got the elite 5-2 Squad of the LAPD on his tail, but still eludes them, until John Barron collars him. Then he escapes again - by dying. Barron, injured himself and off the case, is obsessed by the true identity of the man, by the tantalising clues to his motives - the keys to an anonymous safety deposit box, two London addresses in a notebook alongside a date marked 'in Moscow'. But Barron is carving a new life for himself and his sister in Europe and he pushes the enigma to the back of his mind, until one of Thorne's contacts in LA is found murdered in Paris, and only one man could have killed him - Thorne. Is it possible he pulled off the greatest escape? How? Why? Determined to learn the truth, Barron sets on a dangerous trail which will lead him across Europe to the icy streets of St Petersburg where Thorne's true persona and devastating political ambition threatens the world order.


Author Notes

Allan Folsom was born on December 9, 1941 in Orlando, Florida. He received a BS from Boston University in 1963. He moved to California, where he worked as a delivery driver, a film editor, and a camera operator. He wrote scripts for the television series Untamed World, Hart to Hart, and Sable, and the screenplay for the television film Desperate Intruder.

His first novel, The Day after Tomorrow, published in 1994. He was paid approximately two million dollars for the book. His other works included Day of Confession, The Exile, The Machiavelli Covenant, and The Hadrian Memorandum. He died from metastatic melanoma on May 16, 2014 at the age of 72.

(Bowker Author Biography)


Reviews 3

Publisher's Weekly Review

Folsom (The Day After Tomorrow) begins his epic-sized new thriller smashingly, as cops from an elite LAPD squad stake out a train to arrest a killer and find themselves up against the mysterious Raymond, who leads them a murderous dance through the streets of the city, massacres several of them and is then apparently killed himself in a climactic shootout. For its first 200 pages, this is high-octane thriller writing with an almost visceral impact. But already there are dark hints of plot troubles to come. Young up-and-coming cop John Barron, Raymond's nemesis, is found to have a beautiful sister mentally paralyzed by the shock of their parents' long-ago murder, and Raymond begins to receive mysterious phone calls from a sinister baroness talking about his destiny. These kitschy elements dominate the story as it moves over to Europe, Barron builds himself a new life in England with a sexy aristocrat, sister Rebecca emerges from her cocoon as a Princess Di-like figure and the murderous Raymond, now with a new identity, has a key role involving a major upheaval in world politics. Folsom still brings off some entertaining scenes, but the plot becomes so lumbering and improbable (wait till you find out who Rebecca's suave Latin lover is) that even a final burst of action at the Hermitage Museum in St. Petersburg cannot bring back the excitement that launched the book. As for the utterly unprepared-for ending, it breaks at least a dozen popular fiction rules at once. Agent, Robert Gottlieb. (Aug. 17) Forecast: If only Folsom could've maintained the pace and drama of the book's first third, this would be a winner; as it is, word of mouth about the remainder of the overlong novel is likely to dampen reader enthusiasm. $250,000 marketing campaign. (c) Copyright PWxyz, LLC. All rights reserved


Booklist Review

Folsom, the author of the thrilling Day after Tomorrow (1994), which has no connection to the recent movie, and the decidedly less thrilling Day of Confession (1998), returns mostly to form in this fast-paced, exciting adventure. John Barron, a young LAPD detective, assists in the capture of a vicious killer, who dies during surgery following a gunfight. But some of his fellow cops are also killed in the process, and Barron is forced to leave the department, and the country, to avoid retribution from his former colleagues and friends. He assumes a new identity, moves to Europe, meets a nice lady--and then is confronted with the terrifying prospect that the villain who supposedly died in L.A. is not dead after all and is moving forward with his original plan. Written in short chapters, with a sturdy hero and a despicably clever villain, the novel grabs readers from the opening scenes and rarely lets them loose. Although it seems as though the author has written the book with an eye toward a future movie adaptation--short chapters, plenty of physical action, a constant reminder of the date and time, some scenes even written from an audience's point of view (The viewer realized that somewhere out there was Raymond )--it isn't an outline posing as a novel. Sure, it's slick and a bit superficial, but it does what it sets out to do: deliver breathless excitement. --David Pitt Copyright 2004 Booklist


Library Journal Review

After a five-year hiatus, Folsom (Day of Confession) returns with another winner. Los Angeles police officer John Barron is the newest member of the elite 5-2 squad. On an undercover assignment to nab a notorious killer, he and his squad end up on a train heading for Los Angeles with the target clearly in sight. The events that unfold will force Barron to question his values and every other aspect of his life. To tell more would be a crime, but it's guaranteed that no savvy reader will be able to figure out the ending from reading just the beginning. Unexpected twists and catastrophe on a global scale make the story seem a little far-fetched at times, but that doesn't distract from the compelling narrative. Folsom should have another best seller on his hands. For all fiction collections.--Jeff Ayers, Seattle P.L. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.


Excerpts

Excerpts

The Exile PART 1 LOS ANGELES 1 TWENTY YEARS LATER.   Amtrak Station, the desert community of Barstow, California. Tuesday, March 12, 4:20 A.M. John Barron crossed toward the train alone in the cool of the desert night. He stopped at car number 39002 of the Amtrak Su-perliner Southwest Chief, waiting as a mustachioed conductor helped an elderly man with bottle-thick glasses up the steps. Then he boarded the train himself. Inside, in the dim light, the conductor wished him good morning and punched his ticket, pointing him past sleeping passengers toward his seat two-thirds of the way down the car. Twenty seconds later he put his small carry-on bag into the overhead rack and sat down in the aisle seat beside an attractive young woman in sweatshirt and tight jeans curled up against the window, asleep. Barron glanced at her, then settled back, his eyes more or less on the car door through which he had entered. A half minute later he saw Marty Valparaiso come on board, give the conductor his ticket, and take a seat just inside the front door. Several moments passed, and he heard a blast of train whistle. The conductor closed the door, and the Chief began to move. In no time the lights of the desert city gave way to the pitch-black of open land. Barron heard the whine of diesel engines as the train picked up speed. He tried to picture what it might look like from above, the kind of aerial shot you might see in a movie--of a giant, half-mile-long, twenty-seven-car snake, gliding west through the predawn desert darkness toward Los Angeles. Copyright (c) 2004 by Allan Folsom Excerpted from The Exile by Allan Folsom All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
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