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Cover image for The art of artificial evolution : a handbook on evolutionary art and music
Title:
The art of artificial evolution : a handbook on evolutionary art and music
Personal Author:
Publication Information:
Berlin : Springer-Verlag, 2008
Physical Description:
xviii, 458 p. : ill. (some col.) ; 24 cm. + 1 DVD
ISBN:
9783540728764
General Note:
Accompanied by compact disc : CP 013836

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Item Category 1
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30000010177485 QA76.618 A775 2008 Open Access Book Book
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Summary

Summary

Art is the Queen of all sciences communicating knowledge to all the generations of the world. Leonardo da Vinci Artistic behavior is one of the most valued qualities of the human mind. Although artistic manifestations vary from culture to culture, dedication to artistic tasks is common to all. In other words, artistic behavior is a universal trait of the human species. The current, Western de?nition of art is relatively new. However, a d- ication to artistic endeavors -- such as the embellishment of tools, body - namentation, or gathering of unusual, arguably aesthetic, objects -- can be traced back to the origins of humanity. That is, art is ever-present in human history and prehistory. Artandsciencesharealongandenduringrelationship.Thebest-known- ample of the explorationof this relationship is probably the work of Leonardo da Vinci. Somewhere in the 19th century art and science grew apart, but the cross-transfer of concepts between the two domains continued to exist. Currently, albeit the need for specialization, there is a growing interest in the exploration of the connections between art and science. Focusingoncomputerscience,itisinterestingtonoticethatearlypioneers of this discipline such as Ada Byron and Alan Turing showed an interest in using computational devices for art-making purposes. Oddly, in spite of this early interest and the ubiquity of art, it has received relatively little attention fromthe computersciencecommunityingeneral,and,moresurprisingly,from the arti?cial intelligence community.


Table of Contents

Matthew LewisJohn P. CollomosseScott DravesJames McDermott and Niall J. L. Griffith and Michael O'NeillTim BlackwellRafael Ramirez and Amaury Hazan and Jordi Marine and Xavier SerraChristian Jacob and Gerald HushlakMartin Hemberg and Una-May O'Reilly and Achim Menges and Katrin Jonas and Michel da Costa Gongalves and Steven R. FuchsCharlie D. Frowd and Peter J. B. HancockA.E. EibenNicolas Monmarché and Isabelle Mahnich and Mohamed SlimaneGünter BachelierJ. J. VentrellaAlan DorinPhilip GalánterCraig Neufeld and Brian J. Ross and William RalphGary R. GreenfieldPenousal Machado and Juan Romero and Bill ManarisJon McCormack
Part I Evolutionary Art
1 Evolutionary Visual Art and Designp. 3
2 Evolutionary Search for the Artistic Rendering of Photographsp. 39
3 Evolution and Collective Intelligence of the Electric Sheepp. 63
Part II Evolutionary Music
4 Evolutionary Computation Applied to Sound Synthesisp. 81
5 Swarm Granulationp. 103
6 Evolutionary Computing for Expressive Music Performancep. 123
Part III Real-World Applications
7 Evolutionary and Swarm Design in Science, Art, and Musicp. 145
8 Genr8: Architects' Experience with an Emergent Design Toolp. 167
9 Evolving Human Facesp. 189
10 Evolutionary Reproduction of Dutch Masters; The Mondriaan and Escher Evolversp. 211
Part IV Artistic Perspectives
11 Artificial Art Made by Artificial Antsp. 227
12 Embedding of Pixel-Based Evolutionary Algorithms in My Global Art Processp. 249
13 Evolving Structure in Liquid Musicp. 269
14 A Survey of Virtual Ecosystems in Generative Electronic Artp. 289
15 Complexism and the Role of Evolutionary Artp. 311
Part V Future Perspectives
16 The Evolution of Artistic Filtersp. 335
17 Co-evolutionary Methods in Evolutionary Artp. 357
18 Experiments in Computational Aestheticsp. 381
19 Facing the Future: Evolutionary Possibilities for Human-Machine Creativityp. 417
Indexp. 453
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