Summary

Greening Modernism addresses the interrelationships between sustainability, architectural preservation, and the Modern movement and places these issues into historical perspective.

For the past quarter-century, mainstream architecture has proceeded on the underlying belief that we have the resources to build whatever and as much as we want and that technology can overcome any problems we create for ourselves through our building activities. The serious shortages that now confront us demand a thorough reevaluation of this premise. Carl Stein, nationally recognized for his contributions to the field of sustainable design, connects the impact of individual building design decisions to the global energy and environmental crises. He sets out the argument for sustainability inherent in Modern design, identifying tenets that are intrinsic to contemporary ecological thinking, and he provides the nuts-and-bolts information to assist practitioners and students of architecture, engineering, planning, and environmentalism in specific building-upgrade projects. While not a how-to handbook, Greening Modernism provides quantitative data and describes the environmental benefits from the continued use of the vast inventory of modern buildings, including reduced demand for energy and other finite resources and reduced need for waste processing. Greening Modernism explains the relationships between design and technology in the pre-petroleum, early-petroleum, and late-petroleum eras and goes on to suggest opportunities for architecture in a post-petroleum world.

Choice Review

This book summarizes a long career in architecture conducted by Stein, a leader in sustainable design for several decades in New York City. The book culminates and illustrates several of his earlier publications, including Architecture and Energy (1977) and Energy Conscious Architecture (2001). Stein argues adamantly and persuasively that new construction is not a sustainable strategy for architecture, design, or construction around the world. Rather, renovation, preservation, and restoration of existing buildings represent the best possible strategies for economic and ecological survival, regardless of climate and economy, global or local. The aesthetic implications of this argument are especially evident in the Cubist style buildings of Stein's active New York City firm, called Elemental Architecture. Unfortunately, the writing needs some editing, and the book's bibliography includes just one recent publication, A. Bahamon and M. Sanjines's Rematerial (CH, Sep'10, 48-0085). This book will be valuable for architecture, design, real estate, and development libraries serving commercial, residential, business, and industrial markets throughout the world. Summing Up; Highly recommended. All levels. P. Kaufman emeritus, Boston Architectural College