Cover image for TWISTED
Title:
TWISTED
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Physical Description:
xvii, 441 pages : charts ; 17 cm.
ISBN:
9780061236792
Abstract:
Former FBI Special Agent Sloane Burbank survived a life-threatening injury sustained in the line of duty, only to face leaving a job she loves in order to recuperate. As an independent consultant, she now uses her specialized skills to train law enforcement and private organizations in crisis resolution. But when one of her closest childhood friends mysteriously disappears, and the woman's parents beg for her help, Sloane takes the case--even though her ex-lover Derek Parker is the FBI agent in charge.

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30000010363245 PS3561.A463 T87 2008 Open Access Book 1:CREATIVE_G
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Summary

Summary

Who will be next?

Though former FBI Special Agent Sloane Burbank once survived a life-threatening injury in the line of duty, she now uses her specialized skills as an independent consultant. But when one of her closest childhood friends mysteriously disappears, Sloane takes the case--even though her ex-lover Derek Parker is the FBI agent in charge.

Special Agent Derek Parker has no time to spare for a dead-end case--especially since it would mean working with a woman he never expected to see again. But as more women disappear and others turn up brutally murdered, he and Sloane come to the sickening realization that these random crimes are linked to the same crazed killer, a fiend with a mind so psychotic, so twisted, that it will take everything Sloane has to capture him--even as she becomes his latest target.


Author Notes

Andrea Kane lives in Parsippany, New Jersey with her husband & daughter. She is a former Romance Writers of America Chapter President, & has won awards for her writing.

(Publisher Provided)


Reviews 3

Publisher's Weekly Review

This chilling first of a new romantic suspense series from bestseller Kane (Dark Room) introduces 30-year-old Sloane Burbank, a former FBI agent trained as a crisis negotiator, now an independent consultant who works with law enforcement and others in need of her expertise. During a trip to Manhattan, Sloane receives a call from the mother of a childhood friend with whom she's lost touch, Penny Truman. When Sloane learns that Penny has been missing for almost a year, she turns for help to her former lover, Derek Parker, who happens to be the FBI agent in charge of Penny's case. Animosity between Derek and Sloane serves to increase the explosive romantic tension between the pair as more women disappear, evidently victims of a serial killer. A wealth of red herring suspects will keep the reader guessing until the conclusion of this no-holds-barred thriller. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved


Booklist Review

Sloane Burbank, a former FBI agent and hostage negotiator recovering from a debilitating injury and now a consultant to New York law enforcement agencies, is asked by the parents of a childhood friend to look into the disappearance of their daughter. This request not only brings Sloane into contact with her former lover, Derek Parker, now an FBI special agent, but also with a demented and vicious serial killer who has targeted her and women who have been involved in her life. How she and Derek get back together personally as well as professionally to catch this guy is the story in Kane's latest, which is exhaustively researched, as the introductory credits attest. More high-tech serial-killer tracking than romance, but with enough romance to placate those who like it, this is a superb, read-in-one-sitting nail-biter of a story, right down to the last word.--Chelton, Mary K. Copyright 2008 Booklist


Library Journal Review

With a childhood friend among several women now missing, former FBI agent Sloane Burbank steps into action-and finds her former flame in charge of the case. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

Twisted LP Chapter One Date: 19 March Time: 2100 hours Objective: Athena She was a true warrior. Subduing her had required all my skill and training. Even the weapon hadn't been enough to make her submit. Not like the others. Not until she'd felt the prick of the blade, sensed drops of her own blood trickling down her neck. At that point she'd quivered, then gone still. She was too smart not to. She wanted to fight. I could see it in her eyes. But she didn't. In the end, I'd won. I injected her with the Nembutal, and in five minutes her eyes went dull and her body went limp. I had her. Her warm, drugged body slumped against my shoulder. It felt good. My timing and execution had been perfect. It was spring break. She wouldn't be missed for days. By then it would be too late. John Jay College of Criminal Justice New York City March 20, 4 p.m. The auditorium crackled with anticipation. It was the final seminar of the two-day "Crimes Against Women: How Not to Become Another Statistic" conference. The panel of experts included Jimmy O'Donnelly, an NYPD detective from the Special Victims Unit; Sharon McNally, a psychologist who specialized in counseling victims of violent crimes; Dr. Charles Hewitt, a professor of statistics and mathematics right here at John Jay; Dr. Lillian Doyle, also a John Jay professor but in the sociology department; Lawrence Clark, a retired supervisory special agent from the FBI's Behavioral Analysis Unit, a component of the NCAVC--the investigative branch of the Bureau's Critical Incident Response Group. And Sloane Burbank, the final name on this impressive list of experts. All of them had spoken. Now it was her turn. The moderator ran through Sloane's impressive credentials, which included a year in the Manhattan D.A.'s Office before joining the FBI full-time, where she was trained as a crisis negotiator by the CNU, the operational branch of the FBI's CIRG division. Currently, she was an independent consultant who worked with law enforcement, corporations, and educational institutions, training them in crisis management and resolution. She was also a certified Krav Maga instructor. And all at thirty years old. With an admiring nod in her direction, the moderator stepped away from the mike and turned the room over to Sloane. Amid enthusiastic applause, Sloane rose from behind the speaker table, thinking for the dozenth time how good she sounded on paper. And she was good--just not as good as she'd been a year ago. Then again, perception outweighed reality. She was the only one who'd know the difference. Exuding her usual energy and self-assurance, Sloane unbuttoned her blazer and tossed it over the back of her chair. She wasn't surprised by the skepticism she saw on some of the faces in the audience. Their reaction was nothing new. And it was something she'd used to her advantage more times than not. Despite her impressive résumé, she was a fine-boned woman with a delicate frame and the fresh-scrubbed features of a college student. That made people doubt her abilities--enough so that many of them wrote her off. Let them. It gave her the advantage. And having the advantage gave her power. As Sloane knew, power came in many forms. She pulled on her protective gloves and walked to the front of the room, dead center, with the aisle stretching before her, and the two sections of the auditorium split on either side of her. "So far tonight, you've heard about coping with the aftermath of a physical attack, ways to avoid one, and some profiles of typical victims and assailants," she began. "Every bit of what you learned is true. But there's another truth. We can't always control the circumstances in which we find ourselves. So what happens when you wind up in a parking lot alone at night, your car is ten rows back, and a creepy guy who's built like a Hummer is lying in wait?" She held out her gloved hands, palms up, to show she was unarmed, then pointed at her pocketless and holsterless black turtleneck and slacks. "I'm dressed just like you would be. No weapon. No handy object to act as one. And no purse, although if I had one, I wouldn't have time to grab for my cell phone or, even better, for a can of pepper spray. That's why I learned Krav Maga." A spark of interest flickered in the audience's eyes--even those who'd been Doubting Thomases. "Brief background," she began. "Krav Maga is a whole different breed of self-defense. Its roots trace back to Czechoslovakia during the rise of Nazi terrorism. It was founded by Imi Lichtenfeld, who refined his street-fighting skills protecting his and other Jewish families from attack. Lichtenfeld later emigrated to Israel, further developed those techniques, and then taught them as chief instructor for the Israeli Defense Forces. In Hebrew, Krav Maga means 'contact combat'--training designed for the unpredictable nature of street fighting. There are no rules. No trophies for good form. Only survival." As Sloane spoke, a brawny man wearing a ski mask crept out from behind the curtains at the front of the room, visible to the audience, but not to Sloane. He whipped a knife out of his pocket and charged forward, leaving Sloane no time to prepare and the audience no time to react. Grabbing Sloane's left shoulder, he pressed the knife to her back. "Get in my car," he ordered in a gravelly voice. It was like someone flipped a switch. Sloane whipped around in a quick body turn. Her left forearm shot forward, locking against his right wrist to deflect the knife attack, and propelling her into the offensive strike of delivering a forward horizontal punch to his throat with her right elbow. As he gasped for air and recoiled from the simulated blow to his throat, her left hand snapped up, pinching his knife-wielding arm in a vise grip between her upper arm, forearm, and chest. The nut-cracking pressure caused the knife to fall from his hand. Twisted LP . Copyright © by Andrea Kane. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Twisted by Andrea Kane All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.