Cover image for Photoshop for nature photographers a workshop in a book
Title:
Photoshop for nature photographers a workshop in a book
Personal Author:
Publication Information:
San Francisco, CA : SYBEX, 2005
Physical Description:
1 CD-ROM ; 12 cm.
ISBN:
9780782144277
General Note:
Accompanies text of the same title : (T385 A554 2995)
Added Author:

Available:*

Library
Item Barcode
Call Number
Material Type
Item Category 1
Status
Searching...
30000010123250 CP 10137 Computer File Accompanies Open Access Book Compact Disc Accompanies Open Access Book
Searching...

On Order

Summary

Summary

This is the first book to teach nature photographers practical Photoshop skills that will solve their most common problems. Authors Anon and Grey provide a real-world approach that simulates a workshop experience, feature gorgeous photography, and include tips and techniques from the biggest names in nature photography.


Author Notes

Ellen Anon is an accomplished photographer-her photos have been showcased in calendars, posters, galleries, magazines, and books, including Sierra Club's Mother Earth. Ellen teaches photography and Photoshop workshops for nature photographers around the country.

Tim Grey writes about digital photography for Digital Photo Pro , Outdoor Photographer , and PC Photo magazines. He is the author of Photoshop CS2 Workflow , Color Confidence , and co-author of Photo Finish , all from Sybex. Tim is also a popular speaker at seminars and trade shows. In his almost-daily "Digital Darkroom Questions" (DDQ) e-mail service, he answers questions from photography enthusiasts and pros.


Table of Contents

Introduction
Chapter 1 Thinking Digitally
Photographic Techniques
Choosing RAW versus JPEG
What's So Great About RAW?
Advantages and Disadvantages of Taking JPEGs
Understanding Histograms
Types of Histograms
Interpreting Histograms
Exposure
"Expose Right"Michael Reichmann
White Balance in Nature Photography
Photographing Elements to Composite Later
Skies, Clouds, and Moons
Expanding Camera Capabilities
Photographing Parts of the Scene Individually
Ethical Considerations