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Summary
Summary
The second half of the 20th Century witnessed an outburst of theories and manifestoes that explored the possibilities of architecture: it's language, evolution and social relevance. The many 'crises in architecture' and emerging urban and ecological problems questioned the current orthodoxy: Modernism was criticised, questioned and overthrown, only to be extended, subverted and revivified. The result was a cascade of new theories, justifications and recipes for building. This anthology, first edited in 1997, brought together a coherent collection of texts that tracked these important shifts from all the major architectural thinkers and practitioners.
In this new edition of the book, over twenty additional extracts are published that present an entirely new axis for architectural thinking. Whereas much of the 20th-Century thought was dominated by the 'perceived crisis' in Modernity, 'the new paradigm' or 'complexity paradigm' has been excited by the possibilities of Emergence in the Science of Complexity and Chaos theory. The reach of complexity is expressed through the primacy of Benoit Mandelbrot's theories on geometry, with an extract from his manifesto on fractals; and furthered through an outline of Emergence by Steven Johnson. It is also handled through texts that focus on the diagram and are demonstrated in its more applied form through passages dealing with the global city and culture.
Essential for the student and practitioner alike, Theories and Manifestoes since its first edition has established itself as the touchstone book for architectural thought. It features seminal texts by Reyner Banham, Peter Eisenman, Frank Gehry, Rem Koolhaas, Colin Rowe and Robert Venturi. This is now ejected with greater currency with extracts from: Cecil Balmond, Foreign Office Architects, Daniel Libeskind, MVRDV, Lars Spuybroek, UN Studio and West 8.
Author Notes
Charles Jencks was born in Baltimore in 1939 and studied under the modern architectural historians Siegfried Geidon and Reyner Banham at Harvard and the Architectural Association in London. Known for his books questioning modern architecture and defining successive movements, he now divides his time between lecturing, writing and garden-design products in the UK, Europe and USA. His own innovative work includes dramatic and award-winning landscaping project, landform, for the Scottish National Gallery of Modern Art. He is a trustee of the Maggie's Centres, the charity he co-founded with Maggie Keswick in 1995, which has quickly established itself as an important architectural patron, commissioning architects to design innovative recuperative centres for cancer care.
Karl Kropf is an urbanist engaged in both theoretical research and practice, focusing on the morphogenesis and dynamics of urban form. With a background in the sciences, history and design, he is head of spatial planning and research at Roger Evans Associates and a member of the Urban Morphology Research Group. He has worked for a number of firms, including Skidmore Owings and Merrill in San Francisco, and as a consultant in France and the UK.
Table of Contents
Introduction: The Volcano and the Tablet | p. 2 |
Post-Modern | p. 13 |
1955 From Garches to Jaoul: Le Corbusier as Domestic Architect in 1927 and 1953 | p. 14 |
1956 Ronchamp: Le Corbusier's Chapel and the Crisis of Rationalism | p. 16 |
1960 The Image of the City | p. 18 |
1961 Supports: An Alternative to Mass Housing | p. 22 |
1961 The Death and Life of Great American Cities | p. 24 |
1962 Team 10 Primer | p. 27 |
1965 A City is not a Tree | p. 30 |
1965 Intentions in Architecture | p. 33 |
1966 The Architecture of the City | p. 36 |
1966 Complexity and Contradiction in Architecture | p. 40 |
1969 Semiology and Architecture | p. 43 |
1970 Architecture's Public | p. 47 |
1972 Adhocism | p. 49 |
1972 Learning from Las Vegas | p. 52 |
1975 The Rise of Post Modern Architecture | p. 57 |
1975 Urban Space | p. 59 |
1975 Collage City | p. 61 |
1975 Ornament is no Crime | p. 65 |
1976 An Analogical Architecture | p. 66 |
1977 Metabolism in Architecture | p. 68 |
1977 Body, Memory and Architecture | p. 71 |
1978 Rational Architecture: The Reconstruction of the City | p. 75 |
1978 The Third Typology | p. 77 |
1979 The Timeless Way of Building | p. 80 |
1980 What Would a Non-Sexist City Be Like? Speculations on Housing, Urban Design and Human Work | p. 84 |
1980 Towards a Radical Eclecticism | p. 86 |
1980 The End of Prohibitionism | p. 88 |
1980 Notes on the Philosophy of SITE | p. 90 |
1982 A Case for Figurative Architecture | p. 93 |
1982 Architecture as Theme | p. 94 |
1983 Towards a Critical Regionalism: Six Points for an Architecture of Resistance | p. 97 |
1983 The Architecture of Complexity | p. 101 |
1984 The Memphis Idea | p. 104 |
1987 The Philosophy of Symbiosis | p. 106 |
1989 Anchoring | p. 109 |
1991 On his own House | p. 111 |
1991 Architecture as Another Nature | p. 113 |
1991 Which Truth Do You Want To Tell | p. 115 |
1993 On The American Center, Paris: An Interview | p. 118 |
1993 Towards a New Architecture: Folding | p. 121 |
1993 Architectural Curvilinearity: The Folded, the Pliant and the Supple | p. 125 |
1996 The Island Nation Aesthetic | p. 128 |
1996 13 Propositions of Post-Modern Architecture | p. 131 |
Post Modern Ecology | p. 133 |
1969 Design with Nature | p. 134 |
1979 Integral Design | p. 136 |
1984 The Granite Garden | p. 139 |
1984 Bioshelters, Ocean Arks and City Farming: Ecology as the Basis of Design | p. 141 |
1986 Natural Energy and Vernacular Architecture | p. 144 |
1987 Tropical Urban Regionalism | p. 146 |
1990 Places of the Soul | p. 149 |
1990 Architect's Statement | p. 152 |
1991 Principles of Design | p. 154 |
1991 Green Architecture | p. 157 |
1992 The Hannover Principles | p. 160 |
1993 The Next American Metropolis | p. 161 |
1994 Bioclimatic Skyscrapers | p. 164 |
1996 Ecological Design | p. 167 |
Traditional | p. 169 |
1969 Architecture for the Poor | p. 170 |
1976 The Value of Tradition | p. 172 |
1977 Morality and Architecture | p. 174 |
1978 Reconstruction of the European City | p. 176 |
1980 Reconstructing the City in Stone | p. 178 |
1983 Classicism is Not a Style | p. 179 |
1984 Building and Architecture | p. 182 |
1984 On Style, Classicism and Pedagogy | p. 183 |
1985 RIBA Gala Speech | p. 185 |
1986 Critical Classicism: The Tragic Function | p. 186 |
1987 Mansion House Speech | p. 189 |
1989 Traditional Neighbourhood Development Ordinance | p. 191 |
1989 Architecture and Theology | p. 193 |
1989 A Vision of Britain | p. 196 |
1992 Urban Villages | p. 199 |
1994 Why Classical Architecture is Modern | p. 201 |
1994 Architectural Principles in an Age of Nihilism | p. 203 |
Late Modern | p. 207 |
1954 The Seven Crutches of Modern Architecture | p. 208 |
1955 The New Brutalism | p. 211 |
1956 The Six Determinants of Architectural Form | p. 213 |
1960 Theory and Design in the First Machine Age | p. 216 |
1962 Activity and Change | p. 217 |
1962 Team 10 Primer | p. 218 |
1964 Notes on the Synthesis of Form | p. 220 |
1964 Universal Structure | p. 224 |
1964 Statement | p. 226 |
1964 The Megastructure | p. 227 |
1966 Description of the Microevent/Microenvironment | p. 229 |
1968 The Metamorphosis of an English Town (drawing) | p. 232 |
1969 The Architecture of the Well-Tempered Environment | p. 234 |
1969 Silence and Light | p. 236 |
1969 Non-Plan | p. 239 |
1972 Cardboard Architecture | p. 241 |
1973 Architecture and Utopia | p. 244 |
1975 What Makes Me Tick | p. 246 |
1975 Statement | p. 248 |
1976 The Logic of Design and the Question of Value | p. 250 |
1985 Observations on Architecture | p. 252 |
1990 Rappel a l'Ordre, the Case for the Tectonic | p. 254 |
1991 Beyond Horizons in Architecture | p. 256 |
1994 The Role of the Engineer | p. 259 |
1994 (Well) Connected Architecture | p. 261 |
New Modern | p. 265 |
1976 Post-Functionalism | p. 266 |
1977 The Pleasure of Architecture | p. 268 |
1978 The Future of Splendid Desolation | p. 269 |
1978 Delirious New York: A Retroactive Manifesto for Manhattan | p. 271 |
1979 End Space | p. 274 |
1980 Architecture Must Blaze | p. 276 |
1981 The Manhattan Transcripts | p. 277 |
1982 Randomness vs Arbitrariness | p. 279 |
1983 The Eighty-Nine Degrees | p. 280 |
1983 Unoriginal Signs | p. 281 |
1984 The End of the Classical: The End of the End, the End of the Beginning | p. 282 |
1986 Thoughts of an Architect | p. 285 |
1988 The Dissipation of Our Bodies in the City | p. 286 |
1988 Forms of Irrationality | p. 288 |
1988 Deconstructivist Architecture | p. 291 |
1991 Upside Down X | p. 293 |
1992 Visions' Unfolding: Architecture in the Age of Electronic Media | p. 295 |
1993 Towards an Architecture of Practical Delight | p. 298 |
1993 Connected Isolation | p. 301 |
1993 Manifesto | p. 304 |
1994 What Ever Happened to Urbanism? | p. 305 |
1994 Bigness: or the Problem of Large | p. 307 |
Complexity Paradigm | p. 313 |
1977 The Fractal Geometry of Nature | p. 314 |
1991 Fringe de Cringe | p. 318 |
1997 The Fractal City | p. 321 |
1999 Diagrams | p. 325 |
1999 Animate Form | p. 328 |
1999 Metacity/Datatown | p. 331 |
1999 Dummy Text, or the Diagrammatic Basis of Contemporary Architecture | p. 333 |
2000 On Instruments: Diagrams, Drawing and Graphs | p. 337 |
2000 Base, Colonisation, Void Totem Contemplation | p. 340 |
2001 Emergence | p. 343 |
2001 The Space of Encounter | p. 346 |
2001 Architecture in the Second Modernity | p. 348 |
2001 Machining Architecture | p. 351 |
2002 Informal | p. 353 |
2002 The Yokohama Project | p. 354 |
2002 The Global City: Introducing a Concept and its History | p. 356 |
2002 Versioning | p. 359 |
2003 Urban Natures | p. 361 |
2004 Explosions; Compressions; Swarms, Aggregations, Pixelations; Carved Spaces, Excavations | p. 364 |
2004 Towards an Iconography of the Present | p. 366 |
2004 Junkspace | p. 370 |
2004 Morphogenesis and the Mathematics of Emergence | p. 373 |
2005 The Diagram as a Space of Difference: The MAK Exhibition: Excerpts from a Text | p. 376 |
Editors' Note | p. 378 |