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Library | Item Barcode | Call Number | Material Type | Item Category 1 | Status |
|---|---|---|---|---|---|
Searching... | 30000010040300 | NA4670 H64 1997 | Open Access Book | Book | Searching... |
Searching... | 33000000008038 | NA4670 H64 1997 f | Open Access Book | Gift & Folio Book | Searching... |
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Summary
Summary
In the decades since the ending of colonial rule, new mosques have been built in significant numbers throughout the Islamic world, as well as to serve Muslim communities in other countries. This text features over 70 projects ranging from commissions by wealthy private individuals and local communities to imposing State Mosques. The international nature of Islamic architecture is seen in the buildings featured; in Pakistan, for example, in the Ottoman-style minarets of the King Faisal Mosque, Islamabad, designed bu the Turkish architect Vedat Dalokay. In the West, major complexes such as the Islamic Cultural Centre of New York, the Islamic Centre and Mosque in Rome and the Regent's Park Mosque in London, provide a new dimension to the urban landscape.
Reviews 1
Booklist Review
Most non-Muslims are familiar only with traditional Islamic art, but painting and architecture have evolved as much in the Islamic world as elsewhere this century, and these three visually exciting and textually informative volumes attest to the beauty and vitality of contemporary Islamic culture. Ali, an artist herself as well as an art historian, begins Modern Islamic Art with a discussion of the West's powerful influence on the Islamic world. Initially, many in the East rejected their own traditional art forms and adopted Western styles, but this cultural collision eventually inspired a constellation of modern Islamic art movements. Ali chronicles the work of contemporary Islamic artists in 13 countries, including Turkey, Egypt, Lebanon, Iraq, and Morocco, summarizing each culture's art history and offering brief biographies of prominent artists. The reproductions present both figurative and abstract works, the latter most effectively realized by members of what Ali identifies as a new calligraphic school of painting. Mosques are the physical and spiritual centers of Islamic communities all around the world, whether the community takes the form of an entire country, such as Iran, or a small Islamic enclave in New Mexico. The great surge in the Muslim population over the past four decades has given rise to a virtual renaissance in mosque building and design, a flowering Holod and Khan analyze thoroughly in their discussions and photographs of more than 70 contemporary mosques. Many new mosques are as colorful and ornate with geometric and calligraphic patterns as the mosques of old, but more are models of simplicity, using light and shadow to stunning effect. As Holod and Khan consider the technology and aesthetics of contemporary mosques in such places as Egypt, Pakistan, Algeria, Indonesia, and Croatia, they also profile salient architects, and analyze the interplay between tradition and innovation, spirituality and practicality. The holy cities of Mecca, where Muhammad was born, and Medina, where he died, are closed to non-Muslims, so few westerners have seen photographs of Islam's most sacred sites, or the wonder of the hajj, the annual pilgrimage to Mecca, until now. Japanese photographer Nomachi, a convert to Islam, reveals the magnificence of the two holy cities in photographs remarkable for their vast field of vision, and their capturing of the tremendous energy and spirit of Muslim rituals and prayers. Nomachi's photographs of individuals document the great ethnic and racial diversity of the people of Islam, while his aerial views of a virtual ocean of worshipers record Islam's unifying force. Some pilgrims remain as still as stone, others move in a great whirl, a contrast that reflects the stillness of prayer versus the unceasing motion of life. This sense of duality and vitality is present, too, in Nomachi's awe-inspiring photographs of sacred sites, where the ancient coexists with the modern. --Donna Seaman
