Cover image for G.I. Joe : above & beyond
Title:
G.I. Joe : above & beyond
Personal Author:
Publication Information:
New York : Ballantine Books, 2009
Physical Description:
260 p. ; 18 cm.
ISBN:
9780345516084

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30000010209670 PS3553.O4753 G54 2009 Open Access Book Creative Book
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30000010209669 PS3553.O4753 G54 2009 Open Access Book Creative Book
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Summary

Summary

IN THE HEAT OF BATTLE, THERE ARE MANY HEROES.

Part of an elite covert military team, Lieutenant Duke Hauser and his buddy Ripcord Weems are dispatched to the small oil-rich South American country of San Sebastiao to help quell a revolution. The multinational peacekeeping force known as G.I. JOE has secretly sent special ops to support Duke's unit. Their other mission: Find out who's playing both sides of the conflict by supplying each with the same advanced lethal weaponry. But it turns out the devious culprit has raised the stakes--promising to deliver an army of super soldiers in the near future. If Duke's squad and the G.I. JOE team can't stop the revolution, halt the proliferation of weapons, and eliminate the threat of laboratory-produced warriors, a dark plot toward world domination will soon be launched.


Author Notes

Max Allen Collins was born in 1948 in Muscatine, Iowa. He is a two-time winner of the Private Eye Writer's of America's Shamus Award for his Nathaniel Heller historical thrillers "True Detective" and "Stolen Away". Collins also wrote the Dick Tracy comic strip begining in 1977 and ending in the early 1990s. He has contributed to a number of other comics, including Batman. Collins created his first independent feature film, Mommy, following a nightmarish experience as screenwriter on the cable movie The Expert.

Collins has been contracted by DC Comics to write three tie-ins to his critically acclaimed graphic novel "The Road to Perdition", which was adapted into the feature film. Author of other such move tie-in bestsellers as "In the Line of Fire" and "Air Force One", he is also the screenwriter/director of the cult favorite suspense films "Mommie" and "Mommie's Day".

(Publisher Provided)


Excerpts

Excerpts

Chapter One What Heroes Do Uzekurkistan In his white combat suit, Lieutenant Conrad Hauser--Duke to the other nine members of his elite U.S. military covert insertion team--felt like the Michelin tire man. Slogging uphill through nearly knee-deep snow, he was spotlighted by a full moon that shone like a mighty alabaster beacon, illuminating the white-blanketed forest and--most of all, worst of all--the team he led. Slowly, Duke scanned the tree-covered hilltop, searching for any sign of the Uzekurki troops that he knew would be patrolling this sector. Nothing. He lowered his night-vision goggles from his forehead and checked the hill again--still nothing. Nonetheless, in his gut, he felt a twinge of suspicion. He didn't know what caused it, but he had the feeling that danger was imminent, and nearby. Broad-shouldered yet tall and lean, a white stock?ing cap covering his close-cropped dark hair, Duke carried his M16 A3 loosely in both hands, safety off, gloved finger on the trigger. Behind him, "Ripcord" Weems--his best friend and second in command--was complaining to the team's medic, David Westen. Good-natured griping was a specialty of Rip's. "Why is he always out front?" Ripcord asked, loud enough for Duke to hear. Next to the lanky African American, the slightly built Westen remained stoically quiet. The redhead from Monroe, Louisiana, appeared too frail to keep up with the rest of the team; but the skinny medic had an iron will, and his way of having fun was running twenty miles daily. Doc was also the only member of the team who spoke even passable Uzekurki. "We're supposed to be deadly, invisible, and sound?less," Duke said, sotto voce. "Emphasis on the soundless." Undeterred, his voice rising above a strained whisper, Rip asked, "What, you think a brother can't walk point?" Sliding his night-vision goggles up to his forehead, Duke turned to tell Ripcord to keep it down. Though Rip's kidding riffs could bring a welcome tension break, now was not the time. Exhaling as he turned, watching his breath trail into the frigid night air like wispy smoke, Duke said, "Give it a rest, Rip . . ." The first bullet whistled past Duke's ear, and he shouted, "Down," even as he dove face-first into the snow. Half a second later, Westen and Rip hit the ground on either side of him, as bullets from up the hill raked the woods around them. Snow covered Duke's face and the cold stung his cheeks. He looked first to his left to make sure Westen was okay, then glanced right toward Ripcord, who grinned at him. "What?" Duke asked, as bullets buzzed like angry insects. With mock innocence, Rip asked, "Don't you think I oughta be the dude in white face?" "Would you mind cutting the damn comedy long enough to return fire? Please?" The whole team opened up at once, shooting uphill toward the muzzle flashes, where what were presumably Uzekurki troops were hidden by the trees, and dressed in camouflage white, not unlike the Americans. So much for Duke's team being soundless and invisible--if they were going to get out of this scrape, they'd better get damned deadly damned fast. The drawbacks of the mission were supposedly offset by the advantage of surprise: parachute in, extract a team of six scientists held hostage in an Uzekurki fortress, beat feet to the extraction point, and get home. It had all sounded routine if dangerous during the briefing. Now, with the Uzekurki patrol pinning them down, Duke was rethinking his definition of what constituted a routine mission. . . . Sneaking a glance up the hill, Duke could see a possible way to outflank the Uzekurki Excerpted from G. I. Joe: Above and Beyond by Max Allan Collins All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.