Cover image for The machines of Leonardo da Vinci and Franz Reuleaux : kinematics of machines from the Renaissance to the 20th century
Title:
The machines of Leonardo da Vinci and Franz Reuleaux : kinematics of machines from the Renaissance to the 20th century
Personal Author:
Series:
History of mechanism and machine science ; 2
Publication Information:
Dordrecht : Springer, 2007
ISBN:
9781402055980
General Note:
Also available online version
Electronic Access:
Full Text
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Accessible within UTM campus

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30000010162761 TJ175 M66 2007 Open Access Book Book
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Summary

Summary

Ah the Machine; both coveted and criticized, life sustaining and life destr- ing yet always a symbol of human creativity and invention from the Rena- sance to robotics from the Wright brothers to the Wankel engine. There are more than a billion mechanical machines in our world of six billion humans. These machines are the source of both marvel and mayhem in the life of our planet. This book is about the evolution of these machines and the inv- tors and engineers who created them from the early Renaissance to the early 20th century. I have chosen two personalities who are icons of these two machine ages, Leonardo da Vinci [1452-1519] and Franz Reuleaux [1829- 1905], recognizing both the cadre of machine designers who in?uenced them as well as those who were in?uenced by the accomplishments of these two engineers. A major thesis of this book is that the evolution of machine design methodology, from the intuitive methods of the workshop to the math-based, engineering science analysis and synthesis of modern industrial design, was of equal achievement as the creation of the marvelous machines themselves. In the past two decades there has been increasing interest in rational me- ods of design from topology and optimization theories to genetic algorithms. In the teaching of design at the novitiate level, the importance of design - cles and iteration is emphasized. Yet often the historical background for e- lution of machine design is minimal or missing.


Author Notes

Francis C. Moon is a Chaired Professor of Mechanical and Aerospace Engineering at Cornell University, Ithaca, New York. He is an elected member of the US National Academy of Engineers. He is also a Fellow of ASME. Moon is Curator of the Reuleaux Collection of Kinematic Models at Cornell University. He has authored five published books with John Wiley including two popular books on chaotic dynamics; Chaotic Vibrations (1987, 2004), Chaotic and Fractal Dynamics and a textbook Applied Dynamics (1998) His research specialty includes dynamics of machines and structures as well as magneto-mechanical devices. He has lectured recently in 'Introduction to Robotics' for seniors and 'Applied Dynamics' for graduate students. He was the recipient of a Humboldt Prize award in 1988 and 2001. In 2001 he was a visiting scholar at the Archiv of the Deutsches Museum where he studied the papers of Franz Reuleaux. Moon is a member of the commission on the History of Machines and Mechanisms (HMM) of the International Federation for the Theory af Machines and Mechanisms. (IFToMM) He has published over 140 research papers and holds five patents. He was the Director of the School of Mechanical and Aerospace engineering at Cornell University from 1987-1992.
Moon is one of the creators of the history of mechanisms website; KMODDL: Kinematic Modelsfor Design, Digital Library [http://kmoddl.library.cornell.edu]


Reviews 1

Choice Review

Recent scholarship in the history of technology has emphasized economic and social contexts of technological innovation. Of more direct interest to mechanical engineering students is an earlier approach emphasizing artifacts, their designers, and the design process itself. Moon (Cornell Univ.) extends a five-centuries-long tradition of books illustrating selected examples of machine components, here combined with an analysis of the evolution of visual and kinematic mechanical design methods, emphasizing the parallels of contributions of artist-engineer Da Vinci in 15th-century Italy with engineer-philosopher Reuleaux in late-19th- and early-20th-century Germany. The book has four parts: a brief introduction to Da Vinci and Reuleaux and their respective codification approaches, an extensive and accessible evaluation of machine designs and design methods as represented in 20 centuries of design manuals and "theater of machines" books, a brief illustrated reference section on kinematic mechanism components, and an annotated bibliography of historic sources. The book can be used as either a reference or a course resource, but the modular organization that increases usefulness for courses reduces its coherency. There is an appendix of student exercises. Well written and well illustrated, but suffers from proofreading errors and distracting organization. Summing Up: Recommended. Upper-division undergraduates through faculty. G. E. Herrick emeritus, Maine Maritime Academy