Cover image for Last man in tower :
Title:
Last man in tower :
Personal Author:
Edition:
1st U.S. ed.
Publication Information:
London : Atlantic Book, 2011.
Physical Description:
381 p. ; 25 cm.
ISBN:
9781848875197

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35000000000397 PR9619.4.A35 L37 2011 Open Access Book Creative Book
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Reviews 3

Publisher's Weekly Review

When Mumbai was still Bombay, the apartment building became the new village, inhabitants growing up and old together, intertwined in one another's rhythms and needs. Tower A of the Vishram Society is one such building-both a character and the setting in this highly allegorical yet riveting novel, Adiga's first since winning the Man Booker Prize for The White Tiger. Here, Hindus, Christians, Muslims and Communists have lived together for decades, finding recent common ground in their suspicions about the new "modern" single girl in 3B. But when a developer offers each resident an astronomical sum to move out so that he might build a luxury condo, greed threatens to destroy the community. But one holdout, the teacher Mr. Masterji, is determined that knowledge and principle will protect him. Though occasionally overwritten ("The hypodermic needle of the outside world had bent at his epidermis and never penetrated"), Adiga is a master of pacing. The momentum builds as Masterji's neighbors become consumed by money, allowing Adiga to show his characters grappling with circumstances, and enduring difficult changes of heart. Adiga takes a harsh look at Mumbai's new wealth, but his characters are more than archetypes. Though the allure of capitalism has won them over, the inhabitants of Tower A are at the mercy of the rich as much as their neighbor, the teacher, is at the mercy of them. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.


Booklist Review

*Starred Review* In this slowly coalescing yet ultimately high-stakes drama concerning the fate of an old apartment building on the swampy outskirts of seething, polluted Mumbai, Man Booker Prize winner Adiga (The White Tiger, 2008) continues his satirical inquiry into the forces at work in the new India. Dharmen Shah, an excessively ambitious developer, is hell-bent on buying out the co-op group, tearing down the tower, and erecting a monumental dream palace. His cash offer functions like a stick thrust into a beehive. Everyone is abuzz and ready to sting as some view the buyout as a godsend, while others think it's a catastrophe. In this shrewdly constructed microcosm, Adiga wryly yet tenderly portrays a spectrum of struggling individuals, among them Mrs. Puri and her Down syndrome son; social worker Mrs. Rego, whose husband abandoned the family; and retired teacher Masterji, who has lost his daughter and his wife. As the promise of wealth trumps basic decency, let alone morals, Masterji, a tragically deluded man of principle and pride, becomes the last holdout, clinging to the tower as emblematic of all that is under assault in a mindlessly greedy, materialistic world. Adiga's calculatingly detailed and elaborately suspenseful, charming yet murderous tale asks painful questions about community, the dark bewitchment of money, and all that we endanger fo. progress. . . HIGH-DEMAND BACKSTORY: Because Adiga's devilishly on-target comedy has earned him fame and a major readership, a hefty first printing and extensive promotion are set for this riveting novel of greed, conspiracy, and bloodshed.--Seaman, Donn. Copyright 2010 Booklist


Library Journal Review

Adiga, author of the highly acclaimed White Tiger, returns with this morality tale about events at a respectable, solidly middle-class building in Mumbai. The veneer of respectability and hard-earned bonhomie falls away after the residents-Hindu, Christian, and Muslim-are offered a windfall by an unscrupulous real estate developer who wants them to move. It is a credit to the author that the reader manages to keep straight the large cast of unforgettable and all-too-believable characters. One resident, retired teacher and widower Masterji, holds out purely on principle-or is it for some other reason even he doesn't understand? In the end, there are no heroes in this viper's nest of competing desires and petty jealousies, as the residents' uglier natures are gradually revealed in the face of their greed and disappointment. The swarming oceanfront metropolis of Mumbai, in various stages of development and decay, functions as a character in its own right. VERDICT You won't be able to look away as the novel hurtles toward its inevitable train wreck of a conclusion in this stunner from Adiga. [See Prepub Alert, 2/28/11.]-Lauren Gilbert, Sachem P.L., Holbrook, NY (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

If you are inquiring about Vishram Society, you will be told right away that it is pucca--absolutely, unimpeachably pucca. This is important to note, because something is not quite pucca about the neighbourhood--the toenail of Santa Cruz called Vakola. On a map of Mumbai, Vakola is a cluster of ambiguous dots that cling polyp-like to the underside of the domestic airport; on the ground, the polyps turn out to be slums, and spread out on every side of Vishram Society. At each election, when Mumbai takes stock of herself, it is reported that one-fourth of the city's slums are here, in the vicinity of the airport--and many older Bombaywallahs are sure anything in or around Vakola must be slummy. (They are not sure how you even ­pronounce it: Va-KHO-la, or VAA-k'-la?) In such a questionable neighbourhood, Vishram Society is anchored like a dreadnought of middle-class respectability, ready to fire on anyone who might impugn the pucca quality of its inhabitants. For years it was the only good building--which is to say, the only registered co-operative society--in the neighbourhood; it was erected as an experiment in gentrification back in the late 1950s, when Vakola was semi-swamp, a few bright ­mansions amidst mangroves and malarial clouds. Wild boar and bands of dacoits were rumoured to prowl the banyan trees, and rickshaws and taxis refused to come here after sunset. In gratitude to Vishram Society's pioneers, who defied bandits and anopheles mosquitoes, braved the dirt lane on their cycles and Bajaj scooters, cut down the trees, built a thick ­compound wall and hung signs in English on it, the local ­polit­icians have decreed that the lane that winds down from the main road to the front gate of the building be called "Vishram Society Lane." The mangroves are long gone. Other middle-class buildings have come up now--the best of these, so local real-estate brokers say, is Gold Coin Society, but Marigold, Hibiscus, and White Rose grow and grow in reputation--and with the recent arrival of the Grand Hyatt Hotel, a five-star, the area is on the verge of ripening into permanent middle-class propriety. Yet none of this would have been possible without Vishram Society, and the grandmotherly building is spoken of with reverence throughout the neighbourhood. It is, strictly speaking, two distinct Societies enclosed within the same compound wall. Vishram Society Tower B, which was erected in the late 1970s, stands in the south-east corner of the original plot: seven storeys tall, it is the more desirable building to purchase or rent in, and many young executives who have found work in the nearby Bandra-Kurla financial complex live here with their families. Tower A is what the neighbours think of as "Vishram Society." It stands in the centre of the compound, six storeys tall; a marble block set into the gate-post says in weathered lettering: This plaque was unveiled by Shri Krishna Menon, the honourable defence minister of India, on 14 November 1959, birthday of our beloved prime minister, Pandit Jawaharlal Nehru. Here things become blurry; you must get down on your knees and peer to make out the last lines: . . . has asked Menon to convey his fondest hope that Vishram Society should serve as an example of "good housing for good Indians." Erected by: Members of the Vishram Society Co-operative Housing Society Fully registered and incorporated in the city of Bombay 14-11-1959 The face of this tower, once pink, is now a rainwater-stained, fungus-licked grey, although veins of primordial pink show wherever the roofing has protected the walls from the monsoon rains. Every flat has iron grilles on the windows: geraniums, jasmines, and the spikes of cacti push through the rusty metal squares. Luxuriant ferns, green and reddish green, blur the corners of some windows, making them look like entrances to small caves. The more enterprising of the residents have paid for improve- ments to this shabby exterior--hands have scrubbed around some of the windows, creating aureoles on the façade, further complicating the patchwork of pink, mildew-grey, black, cement-grey, rust-brown, fern-green, and floral red, to which, by midday, are added the patterns of bedsheets and saris put out to dry on the grilles and balconies. An old-fashioned building, Vishram has no lobby; you walk into a dark square entranceway and turn to your left (if you are, or are visiting, Mrs. Saldanha of 0C), or climb the dingy stairwell to the homes on the higher floors. (An Otis lift exists, but unreliably so.) Perforated with eight-pointed stars, the wall along the stairwell resembles the screen of the women's zenana in an old haveli, and hints at secretive, even sinister, goings-on inside. Outside, parked along the compound wall are a dozen scooters and motorbikes, three Maruti-Suzukis, two Tata Indicas, a battered ­Toyota Qualis, and a few children's bicycles. The main feature of this compound is a three-foot-tall polished black-stone cross, set inside a shrine of glazed blue-and-white tiles and covered in fading flowers and wreaths--a reminder that the building was originally meant for Roman Catholics. Hindus were admitted in the late 1960s, and in the 1980s the better kind of Muslim--Bohra, Ismaili, college-educated. Vishram is now entirely "cosmopolitan" (i.e., ethnically and religiously mixed). Diagonally across from the black cross stands the guard's booth, on whose wall Ram Khare, the Hindu watchman, has stencilled in red a slogan adapted from the Bhagavad Gita: I was never born and I will never die; I do not hurt and cannot be hurt; I am invincible, immortal, indestructible. A blue register juts out of the open window of the guard's booth. A sign hangs from the roof: All visitors must sign the log book and provide correct address and mobile phone number before entry by order-- The Secretary Vishram Co-operative Housing Society A banyan tree has grown through the compound wall next to the booth. Painted umber like the wall, and speckled with dirt, the stem of the tree bulges from the masonry like a camouflaged leopard; it lends an air of solidity and reliability to Ram Khare's booth that it perhaps does not deserve. The compound wall, which is set behind a gutter, has two dusty signs hanging from it: Visit Speed-Tek Cyber-Café. Proprietor Ibrahim Kudwa Renaissance Real Estate. Honest and reliable. Near Vakola Market The evening cricket games of the children of Vishram have left most of the compound bare of any flowering plants, although a clump of hibiscus plants flourishes near the back wall to ward off the stench of raw meat from a beef shop somewhere behind the Society. At night, dark shapes shoot up and down the dim Vishram Society Lane; rats and bandicoots dart like billiard balls struck around the narrow alley, crazed by the mysterious smell of fresh blood. On Sunday morning, the aroma is of fresh baking. There are Mangalorean stores here that cater to the Christian members of Vishram and other good Societies; on the morning of the Sabbath, ladies in long patterned dresses and girls with powdered faces and silk skirts return- ing from St. Antony Church will crowd these stores for bread and sunnas. In a little while, the smell of boiling broth and spicy chicken wafts out from the opened windows of Vishram Society into the neighbourhood. At such an hour of contentment, the spirit of Prime Minister Nehru, if it were to hover over the building, might well declare itself satisfied. Yet Vishram's residents are the first to point out that this Society is nothing like paradise. You know a community by the luxuries it can live without. Those in Vishram dispense with the most basic: self-deception. To any inquiring outsider they will freely admit the humiliations of life in their Society--in their honest frustration, indeed, they may exaggerate these problems. Number one. The Society, like most buildings in Vakola, does not receive a 24-hour supply of running water. Since it is on the poorer, eastern side of the train tracks, Vakola is blessed only twice a day by the Municipality: water flows in the taps four to six in the morning, and 7:30 p.m. to 9 p.m. The residents have fitted storage tanks above their bathrooms, but these can only hold so much (larger tanks threaten the stability of a building this ancient). By five in the evening the taps have usually run dry; the residents come out to talk. A few ­minutes after seven thirty, the reviving vascular system of Vishram ­Society ends all talk; water is coursing at high pressure up the pipes, and kitchens and bathrooms are busy places. The residents know that their evening washing, bathing, and cooking all have to be timed to this hour and a half when the pressure in the taps is the greatest; as do ancillary activities that rely on the easy availability of running water. If the children of Vishram Society could trace a path back to their ­conceptions, they would generally find that they occurred between half past six and a quarter to eight. The second problem is the one that all of Santa Cruz, even the good part west of the railway line, is notorious for. Acute at night, it also becomes an issue on Sundays between 7 and 8 a.m. You open your ­window and there it is: a Boeing 747, flying right over your building. The residents insist that after the first month, the phrase "noise ­pollution" means nothing to you--and this is probably true--yet rental prices for Vishram Society and its neighbours are at least a fourth lower because of the domestic airport's proximity. The final problem, existential in nature, is spelled out by the glass-faced noticeboard: NOTICE Vishram Co-operative Hsg Society Ltd, Tower A Minutes of the special meeting held on Saturday, 28 April Theme: Emergency nature of repairs is recognized As the quorum was insufficient, even on such an urgent issue, the meeting had to be adjourned for half an hour; the adjourned meeting commenced at about 7:30 p.m. ITEM NO. 1 OF THE AGENDA: Mr. Yogesh Murthy, "Masterji," (3A), suggested that the minutes of the last meeting of "A" Building be taken as read as the copy of the minutes had already been circulated to all members. It was unanimously agreed that the said minutes be taken as read. ITEM NO. 2 OF THE AGENDA: At the outset, Masterji (3A as above) expressed serious concern about the condition of the Society Building and emphasized the need to start repair work immediately in the interest of the members' safety and the safety of their children; most of the members gathered expressed similar . . . . . . meeting was finally concluded about 8:30 p.m. with a vote of thanks to the chair. Copy (1) To Members of Vishram Co-op Hsg Society Ltd, Tower A Copy (2) To Mr. A. Kothari, Secretary, Vishram Co-op Hsg Society Ltd, Tower A Pinned behind this notice are older notices of a similar nature. After more than four decades of monsoons, erosion, wind-weathering, air pollution, and the gentle but continual vibrations caused by the low-flying planes, Tower A stands in reasonable chance of complete collapse in the next monsoon. And yet no one, either in Vishram Society or in the neighbourhood at large, really believes that it will fall. Vishram is a building like the people living in it, middle class to its core. Improvement or failure, it is incapable of either extremity. The men have modest paunches, wear checked polyester shirts over white banians, and keep their hair oiled and short. The older women wear saris, salwar kameez, or skirts, and the younger ones wear jeans. All of them pay taxes, support charities, and vote in local and general elections. Just one glance at Vishram in the evening, as its residents sit in white plastic chairs in the compound, chit-chatting, fanning themselves with the Times of India, and you know that this Society is--what else?--pucca. From the Hardcover edition. Excerpted from Last Man in Tower by Aravind Adiga All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.